Thursday, January 17, 2013

The post-modern dialogue of thinness

Post-modern heroes are everyman. Modern heroes were not everyman, as supposed, but were rather everyman's dream of himself as hero.  The modern hero claimed his title by rising above everyone and everything else. It is very difficult for the post-modern hero to rise above or even stand out in a world where "everything" has been done, and "anything" worth saying has been said. 

In the world of film, dialogue and action have become miscast. For many a film, the real work is how to make these overexposed, aging film stars seem young and fresh, or at least a lot less boring... through the use of CGI and pyrotechnics, as they say.

But, what about our post-modern hero?

Edward Furlong in Detroit Rock City
The post-modern everyman's story is compelling because he/she is standing still, while the "set" is in motion, i.e. the world of post-modern upheaval, decadence and disintegration that surrounds him. The compelling dialogue is his silent contact with this world. Character development follows the story of everyman's humanity (soul), which stands out against this dehumanizing backdrop as what is essential and real, i.e. cannot be produced, packaged or sold by Hollywood, Prada, or Walmart.

The themes of humanity, soul, isolation... and what is real... are the themes of post-modern art.

UNLESS: You're fat. Fat people don't get to project or even talk about post-modern soul or angst because their authenticity as a sufferer is immediately destroyed by the assumption they have traded it in for food. Lots of food. Repeatedly.

The angst "cred" goes right back in the freezer behind the Smart One's low calorie frozen desserts and that empty Trader Joe's Chocolate Ganache cake box.

Too bad. It sucks to be me.


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Sweet Surprise 2017


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